The Inevitable Collision of Adelaide and Penny
Youâre twelve when you get the first message. Youâve been fiddling with your homemade radio, trying different diodes tumbled from that chunk of meteorite your uncle Laurence gave you. Something that you know is a song starts coming through. It doesnât sound like a song in the way that we conceive of songs, but it feels like one. Her voice follows, and this, this, you can understand.
âIs anyone there? Hello? Can you hear me?â
She sounds like the sky, and your cheeks are wet with tears you donât remember shedding. Your heart bobs up toward your throat, weightless. The message keeps repeating. You bring your hands away from the radio and mark down the frequency on your tablet. You take as many pictures as you can bear, you try to record her, but when you play it back the noise is incomprehensible. From the base of your neck, your heart is weeping openly, shuddering with a violence that scares you, shuddering like itâs trying to send a message back.
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You spend six years trying that yourself, with store-bought walkie-talkies, the radio stationâs setup, borrowed lab equipment. With each, you find that magic frequency and wait to see if your heart starts to make you sob. It doesnât work, and doesnât work, and doesnât work, until it does. The feeling of weightlessness under your skin, acute awareness of the empty spaces in you.
âI hear you! I heard you! Who are you? Please, I want to hear you again.â
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The response is four years later. In that time, youâve applied to masterâs programs, moved out, went on a disastrous date with a woman from your poetry seminar. Sitting with her across the table, all that you could think of was the way that other voice had made you feel, the loss of gravity, the pull of void, the soft brush of invisibility. Nothing else has made you feel like that, starmade, inevitable. Fragile and impossible. As soon as you were able to, you bought the advanced radio equipment, brought it home, and tuned it to the station that felt right. Itâs still here, in the corner. You abandon dinner when that same song-not-song noise starts.
âAdelaide. Iâm Adelaide. IâI miss you, too. It takes you so long to reach me. Iâm sorry. I donât know who you are, but I know you. I recognize you, and I donât know how. Tell me everything, every atom. Iâm sorry that I canât bend time to hear you better.â
Youâre kneeling, supplicant, head bowed, heart insistent at your brainstem. âIâm Penny,â you manage. âAnd I think about you all the time. Iâm from New Mexico, and I grew up looking at the stars but IâŚI didnât think theyâd answer. Where are you, Adelaide? I want to know you, too. I think Iâm meant to.â
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You think about Adelaide every day for three more years. You draft her letters, write her name in sketchbooks, dedicate your thesis to her, to the voice of a woman you will someday meet. In that time, youâve tried to triangulate her, tried to trace the radio waves back, and back, and back, but you lose them at the heliopause, even with the universityâs best tools. When anybody asks about the letters, you tell them you have a pen pal, someone from elementary school.
Itâs good to keep in touch with old friends, the inquisitor will say. And they leave it at that.
Youâre just about to go and catch a train when the equipment in the corner stops you dead. Adelaideâs voice draws you nearer, and you wish you had prepared a speech, the letters ramble on too long, this is earlier than you expected herâ
âIâm fromâŚI call it Fain, I donât know what you would call it. I donât know what a New Mexico is, Penny. I think Iâm very, very far. But getting closer! I heard you more quickly that time than I did before. Iâd been. Getting myself ready for when you came through but then! You were here sooner!! I had questions, I had things to tell youâPenny, Penny, I wish I could see you. MaybeâŚmaybe that will one day come to pass, but until then, dear Penny, tell me what the stars look like. Here, Iâll say mine.
âI look straight up and I see Meridan, the great red giant thatâs part of Hawkâs right wing. Meridan is my polar star, the one that stays, stuck onto the backdrop of the ever-sliding sky. And then, thereâs Loche, the left hand of the Devil, white-hot and close on the horizon. Capricorn is the same, I think, for you and me. I bet I donât see him when you do, though.
âWhat does your sky see, pretty Penny mine?â
You call your family and say that youâll be there tomorrow morning rather than tonight. Theyâre annoyed, but you cite an assignment due on Monday, one which you have done, but they donât know that. You take a breath and forget all the letters, letting yourself be overcome with the gravity of Adelaide, the skyward pull of her.
âIâŚI see Orion, and Betelgeuse on his shoulder. I could, I mean, when I was little. I live in the city, now. So itâs harder to see. But I remember a few. Sirius, the dog, and Castor, one of the twins. We make up stories about our stars. Adelaide sounds like a name from one of those stories, almost. You feel so big. Impossible, beautiful, impossible. I can see Aldebaran still, from my apartment, and Venus, too, bright enough to be a second moon.
âYou feel as big as they feel to me, maybe greater, maybe like Jupiter, pulling at the Sun. I donât know what you look like, but I think of you like the stars. Iâll let you know what to look for, in the event of your âmaybesâ. Iâm taller than most of the people my age, according to my friend Vick. Iâm not a natural redhead, but everyone thinks I am because my father is Irish and a redhead. My hair is darker, a mix between brown and auburn that sometimes looks like blood. I dye it though, back to that natural red that fits my father nicely.
âMy eyes are so dark brown that I can use them as a double mirror sometimes. You know howâwell. People here say you can never see yourself, not really. All you see are reflections of yourself. Your whole self at least. I look into a mirror and look into my eyes and I can see myself for real. Does it negate? A reflection of reflection? IâmâŚsorry that Iâm asking you weird questions, now. I wish that I could talk to you forever, fill in all the airspace.â
Sometime before she answers, you whisper into the radio one night: âI think I love you, Adelaide.â
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One year and a few weeks later. Adelaideâs radioâyou canât think of it another wayâhas been made portable, rests like a worrystone in the pocket of your favorite jeans. Youâre out with Ralph and Martha, friends from your thesis program. Root Beer Floats all around, the chatter of the store nearly loud enough to drown out Adelaide as she comes through. This time, thank God, you feel her, first. Your heart tidally locking with hers, longing to spin in tandem on some far-off world. You excuse yourself abruptly, and your friends roll their eyes. They still think your âalien pen-palâ is bullshit.
âOh, Penny, I wish you could be here. I can see myself, not a reflection. An act of contortion that you couldnât possibly conceive. I want to show you, Penny. I can picture you, nowâthank you, by the way, for that. Iâm imagining your hair, both blood and sunset all at once. Your faceâŚthe way that your nose would twitch when you smile, the space-deep of your eyes, the soft set of your mouth.
âI want to map your stars onto my self, make Orionâs shoulder part of mine, put Sirius at my thigh, and Castor as my shadow. Aldebaran over my heart. Better to see with than eyes, sometimes. My sky seems so strange without your stars, even if theyâve never ever been there. My sky has seemed strange for a few turns, now. I wonder. I wonder.
âI think I see Venus, too, but maybe Iâm making that up, my eyes fooling me in trying to get closer to you. Iâm much closer now, and I feel selfish, for wanting to be close. For pulling you with my gravity, even though I donât quite mean to. I feel you pulling back, you know. The star to my planetary mass. You feel like light, whenever your voice comes through.
âI hope I can understand what youâre saying when youâre right in front of me, Penny.â
You once had hoped that one day, youâd get over the unbearable depth of feeling that Adelaideâs voice drags out of you. Nowâeyes red, face damp, slumped on a bench outside of Sugarconesâ, portable radio held against your chestânow you know you couldnât bear its absence. You hold her words in your head, going over them, a homemade spell, and head back into the ice cream shop. Martha and Ralph look worried, taking in your hysterically blissful dishevelment.
âShit, Pen, you okay?â Martha asks, a little tentatively.
âOh,â you say, coming back to yourself a little more fully. âGood news from a friend I havenât heard from in a while. We went to summer camp together, and her internet is screwy a lot of the time.â The lie is easy. Adelaide feels close enough that this could be the case, if you ever went to summer camp, and if Adelaide werenât someone living in the stars.
Martha and Ralph leave it at that.
When you get home, you collapse onto the floor by the radio. âIâm sorry this one will take a little longer, I couldnât call you back right then, Iâ.â You laugh, a little breathlessly, stopping yourself.
âItâs like calling, I guess, a little bit, right? What weâre doing? God, what am I doing? People think Iâm a little crazy, Adelaide. I tell them I have a pen pal, or an old friend from summer camp. I hope that I donât forget that thatâs not the case, that youâreâthat weâI hope I donât forget whatâs real about us. Iâm scared that nobody else will think youâre real. But I know you are. I know. I know youâre getting closer.
âThe sky is moving. Iâve been reading physics journals as a break from my thesis. Pluto went missing, pulled away by something stronger than the Sun. They found it again, but itâs too far. It hasnât been on the news yet. My old intro physics teacher says that laypeople would freak out, which is fair. People freak out over everything. Iâm not freaking out, though. Because I know that itâs you.
âDo you know what your voice does when I hear it? My heart presses up against my ribs, breaks through my throat and gives orders to my tongue and to my mind. I canât bear it, I couldnât bear the loss of it. How can I be light, if you do this? Arenât you, too? Ah, shit, I had started to plan this message, since I couldnât respond right away, but Iâm going way off script, ha.
âI want you to be selfish, Adelaide. Pull me and Iâll follow if I can. Iâve been following you for most of my life, like weâve been orbiting. I want you closer, too. Please.â
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A month or so later, in the middle of the night, the radio wakes you up. âOh,â Adelaide says. âPenny.â In the still, quiet room, you can hear her breathing. âPenny, I love you.â And oh, you had forgotten about the whisper you had slipped in after your last message. In your dreams, you are kissing the sun. Or maybe you are the sun, and somebody is kissing you. You donât hear Adelaide, because nothing your brain can make compares to Adelaide, but you assume her in the way we assume shapes in darkness.
After five months of dreaming, you hear Adelaide again.
âPenny, I think I can see your stars. Over the horizon, a man with a red giant on his shoulder is rising, and thereâs a star so bright it has to be your sun thatâs getting nearer. It makes me feel a little bit like you do, Penny, seeing the star that wants to burn you down to carbon ash creep closer and closer, like time, like a tide.
âI feel you, too, before I hear you. The promise of a supernova, the electric kiss of fusion. A binary system, a cold star and a burning one, circling. Destined to meet. Youâll see my sky soon, too. Iâll tell you what to look for:
âThe Devil, fifteen stars. Loche, his left hand, raised in false foreswearing. Alhem the Seer with her glittering shroud and crystal ball. The Bee, four stars. The friendly face in the night. Fin and the Wolf, my Orion and Scorpius. Youâll know them if they come to cross your sky.
âMy âmaybeâs are more than definite, if you believe your physics. So, I will tell you what else to look for: the empty space in my left ankle, the opalescence of my hair, the nervous way I knit my hands together. The softness when I speak about you, the way I turn and orbit on your every word. I want you to know every particle of me, star-marrow and liquid oxygen.â
Youâre slumped against the wall next to the radio. The ground beneath you feels abruptly strange, and you shudder, the late afternoon gone suddenly cold.
âIâve wanted to know every bit of you from when I first heard you sing, Adelaide.â Your own voice quavers, and you swear you can see the waves of it washing over the transmitter. âThe sky has been different here, too. Iâll look for what you say, the Devil, the Seer, the Bee.
âAdelaide, are we going to die? I know, I know. A stupid question, everyone is. Even the stars. But you know what I mean. When we meet. If I feel like a supernovaâs promise and you feel like an endless well of gravity would we even survive each other, face to face?
âThe sky is moving, Adelaide, and I donât know ifâŚI donât know if Iâll make it. I want to see you more than anything, but I donât want the world to burn. The predictions are scary, and chances of impact update by the hour. The low numbers are the only reason things havenât collapsed.
âI want you here more than anything, Adelaide.â Your voice is small. Quiet. âDid I doom the world by loving you?â
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Two months later. Youâve spent your time volunteering, guilt a hungry rat inside your body. Nobody at the soup kitchen bats an eye when you start sobbing profusely out of nowhere. The head of the volunteer workers lets you go home early.
âPenny, Penny, Penny, no, no, no. You havenât done anything, pretty Penny. Our skies have been moving since before we were both born. I used to be so far away that I would never, ever reach you. Itâs happened before, pretty Penny mine, and the world survives. Collision is inevitable, but not always fatal.
âPenny, if I were made up like the universe, I would be full of emptiness, a glitter-dust of everything we see, and all the rest dark and void. You might pass through me like a beam of light. We might pass through each other like a beam of light.
âWeâll end up closer. No matter what, weâll end up closer. IâŚI donât want to touch if that will hurt you, Penny. But I want you closer anyway.â
âAdelaide,â you start, but then youâre overwhelmed, and sob, just sob, into the transmitter. Minutes later you recover. âAdelaide,â you say again.
âWhen I was little, my uncle found a meteorite buried on his property. It took him nine months to get out of the ground, and on the day he did, I was born. A piece of that meteorite was the first present I got after my name. Thatâs how I made the radio that found you.
âI have that radio in the apartment. The equipment Iâm using now is better, of course, but Iâll never get rid of that one. I heard you sing to me, Adelaide, and I wanted to know everything about you. I still do. I want to hear you sing again. At least one more time. Before⌠At least one more time over the radio.â
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You donât have to wait long. A week later every newspaper is heralding asteroid disasters. Adelaideâs radio hums. She sings, again, in that way that you know is song but isnât song. You reach for her. The words arenât words, and you canât parse meaning from them. You listen. She sings for a long, long time. When she stops, you hear panting, like sheâs out of breath.
âIâve been lonely my entire life, Penny. I spent every breath calling out, trying to make sure I wasnât the only thing alive. And then you answered me. I canât not love you for that.â
âI wish that I could record your voice, Adelaide. Iâve tried, and it never plays back right. I want to hear you forever, Adelaide. I donât want to have to wait.â
âI donât want to wait, either,â Adelaide says, from the radio. âOh,â she says. A realization.
An emergency alert pops up on your phone. You donât notice. âAdelaide!â Youâre in tears. The pull of Adelaide is so strong you can barely stand.
âOh. Penny. Penny, Iâm here.â And you see Adelaide. The emptiness in her ankle, the opalescence of her hair. Sheâs pulled toward you, too. Sheâs not made up like the universe, and neither are you.
You canât close your eyes. When you collide, you feel fruition. Fragile, impossible. Inevitable, starmade. A supernovaâs promise fulfilled. Falling into a well with no escape velocity to speak of. Inconceivable pressure, infinite light, and then nothing at all.